{01} About Us
Independent reporting from where it happens.
At Euro News Agency, we don’t just publish the news — we report it on location, in the places where it actually happens.
Great journalism starts with being there. That is why our correspondents work in the field, in four languages, across more than 107 countries.
Our Mission
To deliver verified, independent reporting from the ground — and the context that headlines on their own cannot give.
Our Vision
A newsroom without borders, where distance and language are never a barrier to telling a story accurately.
Collaborate with Us
From breaking coverage to long-form documentary, we work with newsrooms, broadcasters and institutions worldwide.
{02} Our Services
From the field to your front page
Editorial and production services, from breaking coverage on location to a finished documentary film.
We report from the ground — covering breaking news, elections, conflict and social change with correspondents on location. Every story is verified at source, filed in the language you need, and delivered ready for broadcast, print or digital.
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Breaking news coverage -
Field correspondence -
Elections and politics -
Verification and fact-checking -
Same-day filing
Long-form storytelling, start to finish — from research and location scouting through filming, editing and final delivery. We produce documentaries for broadcasters, institutions and streaming platforms, working in the field with our own crew.
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Research and development -
Location scouting and fixing -
Field cinematography -
Post-production and grading -
Broadcast-ready delivery
Reporting that goes past the brochure — destination features, cultural reporting and travel analysis built on first-hand experience across more than 107 countries. Written for readers who want context, not copy.
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Destination features -
Culture and heritage reporting -
Hospitality and transport -
Travel market analysis -
Photo and video packages
Images that carry the story — aerial cinematography, field footage and b-roll captured on location by licensed drone and camera operators. Delivered as raw rushes or as a finished, colour-graded edit.
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Aerial and drone cinematography -
Field and event coverage -
Archive and stock footage -
Colour grading -
Multi-format delivery
Stories that take time — in-depth investigations built on documents, data and sources developed over months rather than days. We follow the reporting where it leads and publish only what we can stand behind.
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Document and data analysis -
Source development -
Cross-border investigation -
Legal and factual review -
Long-form writing
Editorial thinking for tourism boards and brands — press trips, media partnerships and campaign content produced to editorial standards. Marketing that reads like journalism, because journalists write it.
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Press trips and media hosting -
Branded editorial content -
Campaign strategy -
Press and influencer liaison -
Multilingual distribution
Four working languages, one newsroom — reporting, translation and adaptation across Arabic, English, French and Italian. Content is rewritten for each market rather than translated word for word.
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Arabic, English, French, Italian -
Editorial translation -
Market adaptation -
Subtitling and voice-over -
Local SEO and metadata
Building newsroom capability — editorial audits, workflow design and hands-on training for teams that need to publish faster without losing accuracy. Delivered on site or remotely.
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Editorial audits -
Workflow and CMS setup -
Reporter and camera training -
Fact-checking protocols -
Digital publishing strategy
{03} Why Choose Us?
Reporting and production built around the story
We offer a full range of digital services to help your brand stand out, connect, and grow.
Field verification
Every claim is checked at source before anything is published. No wire-only reporting.
107+ Countries covered
4 Working languages
Arabic, English, French and Italian — rewritten for each market, not machine-translated.
700+ International projects
Available 6 days a week
{04} Field Experience
"28 years in the field.
No desk journalism."
Every figure below comes from assignments completed, not from marketing copy.
95%
Customer satisfaction
12+
Years of experience
22+
Projects completed
{02} Our Services
Reporting and production built around the story
We offer a full range of digital services to help your brand stand out, connect, and grow.
{06} Testimonial
The best reviews from clients
"From start to finish, the communication was seamless and the design blew us away. They really know how to bring a brand to life!"
— James R. Client
"From start to finish, the communication was seamless and the design blew us away. They really know how to bring a brand to life!"
— James R. Client
"From start to finish, the communication was seamless and the design blew us away. They really know how to bring a brand to life!"
— James R. Client
"From start to finish, the communication was seamless and the design blew us away. They really know how to bring a brand to life!"
— James R. Client
"From start to finish, the communication was seamless and the design blew us away. They really know how to bring a brand to life!"
— James R. Client
"From start to finish, the communication was seamless and the design blew us away. They really know how to bring a brand to life!"
— James R. Client
"From start to finish, the communication was seamless and the design blew us away. They really know how to bring a brand to life!"
— James R. Client
"From start to finish, the communication was seamless and the design blew us away. They really know how to bring a brand to life!"
— James R. Client
"From start to finish, the communication was seamless and the design blew us away. They really know how to bring a brand to life!"
— James R. Client
"From start to finish, the communication was seamless and the design blew us away. They really know how to bring a brand to life!"
— James R. Client
"From start to finish, the communication was seamless and the design blew us away. They really know how to bring a brand to life!"
— James R. Client
"From start to finish, the communication was seamless and the design blew us away. They really know how to bring a brand to life!"
— James R. Client
"From start to finish, the communication was seamless and the design blew us away. They really know how to bring a brand to life!"
— James R. Client
"From start to finish, the communication was seamless and the design blew us away. They really know how to bring a brand to life!"
— James R. Client
"From start to finish, the communication was seamless and the design blew us away. They really know how to bring a brand to life!"
— James R. Client
"From start to finish, the communication was seamless and the design blew us away. They really know how to bring a brand to life!"
— James R. Client
"From start to finish, the communication was seamless and the design blew us away. They really know how to bring a brand to life!"
— James R. Client
"From start to finish, the communication was seamless and the design blew us away. They really know how to bring a brand to life!"
— James R. Client
"From start to finish, the communication was seamless and the design blew us away. They really know how to bring a brand to life!"
— James R. Client
"From start to finish, the communication was seamless and the design blew us away. They really know how to bring a brand to life!"
— James R. Client
"From start to finish, the communication was seamless and the design blew us away. They really know how to bring a brand to life!"
— James R. Client
{07} Steps
Three steps from brief to broadcast
A clear production path from the first brief to final delivery, with you informed at every stage.
1
3-5 days
01.Brief & Research
We define the story with you — angle, access, locations and clearances — and hand over a shooting plan before anyone books a flight.
2
1 week
02.Field Production
Our crew works on location: interviews, ground and aerial footage, verification at source, with material filed as the story develops.
3
4-7 days
03.Edit & Delivery
Editing, colour grading, translation and subtitling — delivered broadcast-ready in the formats and languages your outlet needs.
{06} Team
Driven by talent & journalistic rigour
At Euro News Agency, strong reporting starts with strong people. Our journalists, analysts and producers work across borders, languages and formats.
Maeve O'Brien
Project Manager
Maeve O'Brien
Project Manager
Coordinates ENA's editorial and production projects, from commissioning through to delivery.
Bourbiza Mohamed
Founder & Director
Bourbiza Mohamed
Founder & Director
A journalist since 1998, he has reported from more than 107 countries and leads the editorial direction of Euro News Agency.
Marjan El Moutawakil
Asian Tourism Market Analyst
Marjan El Moutawakil
Asian Tourism Market Analyst
Follows tourism markets across Asia, turning travel and mobility data into editorial analysis.
Nguyễn Linh Đan
Technology Industry Analyst
Nguyễn Linh Đan
Technology Industry Analyst
Covers the technology industry, tracking the companies and policies that shape the sector.
Cillian O'Neill
Digital Media Producer
Cillian O'Neill
Digital Media Producer
Produces ENA's digital and documentary output, from field shoots through to final edit.
Yassin El Fahmi
AI & Prompt Engineering Specialist
Yassin El Fahmi
AI & Prompt Engineering Specialist
Builds ENA's AI tooling and prompt workflows for editorial and production teams.
Expert
Team
More of our Team member
Response time: within 24 hours
Tell us about your story
{09} FAQs
Learn more from FAQs
Euro News Agency is an international news and documentary agency based in London. We report from the field, produce documentary films, and cover travel and destination stories for newsrooms, broadcasters and institutions.
The agency was founded and is directed by Bourbiza Mohamed, a journalist since 1998 who has reported from more than 107 countries. Editorial projects are coordinated by Maeve O’Brien.
Arabic, English, French and Italian. Material is adapted for each market rather than translated word for word, with subtitling and voice-over handled in house by Yassin El Fahmi.
From London, and on location wherever the story is. Marjan El Moutawakil covers Asian tourism markets and Nguyễn Linh Đan follows the technology industry.
Yes. Breaking coverage is filed the same day, with every claim verified at source before anything is published. Tell us the deadline and we will tell you honestly whether we can meet it.
Yes. Cillian O’Neill leads digital and documentary production — field shoots, interviews and aerial footage through to a colour-graded, broadcast-ready edit.
Send us a short brief. We come back with an approach, a schedule and a clear cost before any work begins.
Yes. We regularly commission correspondents, photographers and camera operators for stories in their own region. Send recent published work rather than a CV alone.
Accuracy first: verifiable sourcing, local knowledge and the judgement to know when a story is not ready. Language skills and field experience count for a great deal.
Yes, and pitches from the region concerned are especially welcome. Explain the story, the access you already have, and why it matters now.
For specific productions, yes. Drone work requires valid licensing and insurance for the country of the shoot. Include a showreel with your application.
On almost every international assignment. Local producers are credited and paid properly — they are colleagues, not a line item.
We run editorial and camera training as part of our consulting work, and take on a small number of early-career journalists each year. Ask about current openings.
Write to us with links to your work, the languages you speak and the region you cover. Every message is read; we reply to those we can take further.
By scope, not by template. Location, duration, crew size, licensing and delivery formats all shape the figure. Send a brief and you get a written quote.
Yes. We hold an archive of field and aerial material from assignments across more than 107 countries. Tell us the subject and territory and we will check availability.
Rights are agreed per commission — territory, duration, media and exclusivity are all set out in writing before production starts. Nothing is assumed.
That depends on the agreement. Commissioned work can be assigned in full or licensed for a defined use; both options are priced differently and stated clearly.
Yes, for outlets and organisations that need regular coverage. A retainer usually works out better than commissioning story by story.
Travel, accommodation, permits and local fixers are quoted separately and itemised, so you can see exactly what each element costs.
Larger productions are staged: a deposit at commission, a payment at the end of filming, the balance on delivery. Terms are confirmed in the contract.
{10} Latest Insights
Here's what we've been up to
Explore field reporting, documentary workflows and destination storytelling from the Euro News Agency team. Our blog is where we share knowledge, ideas, and what’s next in digital.
{11} Contact Us
Ready to tell the story?
Office Address
182-184 High Street North, East Ham, London E6 2JA
Business Hours
Monday – Saturday: 9 AM – 6 PM GMT
Islamic & Christian holidays: closed