Verified at source
Field verification
Every claim is checked at source before anything is published. No wire-only reporting.


Filed from IstanbulFiled from CappadociaAerial production
At Euro News Agency, we don’t just publish the news — we report it on location, in the places where it actually happens.
Great journalism starts with being there. That is why our correspondents work in the field, in four languages, across more than 107 countries.
To deliver verified, independent reporting from the ground — and the context that headlines on their own cannot give.
A newsroom without borders, where distance and language are never a barrier to telling a story accurately.
From breaking coverage to long-form documentary, we work with newsrooms, broadcasters and institutions worldwide.
Editorial and production services, from breaking coverage on location to a finished documentary film.
We report from the ground — covering breaking news, elections, conflict and social change with correspondents on location. Every story is verified at source, filed in the language you need, and delivered ready for broadcast, print or digital.
Breaking news coverage
Field correspondence
Elections and politics
Verification and fact-checking
Same-day filing
Long-form storytelling, start to finish — from research and location scouting through filming, editing and final delivery. We produce documentaries for broadcasters, institutions and streaming platforms, working in the field with our own crew.
Research and development
Location scouting and fixing
Field cinematography
Post-production and grading
Broadcast-ready delivery
Reporting that goes past the brochure — destination features, cultural reporting and travel analysis built on first-hand experience across more than 107 countries. Written for readers who want context, not copy.
Destination features
Culture and heritage reporting
Hospitality and transport
Travel market analysis
Photo and video packages
Images that carry the story — aerial cinematography, field footage and b-roll captured on location by licensed drone and camera operators. Delivered as raw rushes or as a finished, colour-graded edit.
Aerial and drone cinematography
Field and event coverage
Archive and stock footage
Colour grading
Multi-format delivery
Stories that take time — in-depth investigations built on documents, data and sources developed over months rather than days. We follow the reporting where it leads and publish only what we can stand behind.
Document and data analysis
Source development
Cross-border investigation
Legal and factual review
Long-form writing
Editorial thinking for tourism boards and brands — press trips, media partnerships and campaign content produced to editorial standards. Marketing that reads like journalism, because journalists write it.
Press trips and media hosting
Branded editorial content
Campaign strategy
Press and influencer liaison
Multilingual distribution
Four working languages, one newsroom — reporting, translation and adaptation across Arabic, English, French and Italian. Content is rewritten for each market rather than translated word for word.
Arabic, English, French, Italian
Editorial translation
Market adaptation
Subtitling and voice-over
Local SEO and metadata
Building newsroom capability — editorial audits, workflow design and hands-on training for teams that need to publish faster without losing accuracy. Delivered on site or remotely.
Editorial audits
Workflow and CMS setup
Reporter and camera training
Fact-checking protocols
Digital publishing strategy
Accuracy before speed, clear sourcing and production choices that preserve the factual meaning of what is recorded on location.
Verified at source
Every claim is checked at source before anything is published. No wire-only reporting.
Rewritten for each market, not machine-translated.
Breaking coverage filed the day it happens, verified before it goes out.
Accuracy before speed. Clear sourcing on every story we file.
A clear production path from the first brief to final delivery, with you informed at every stage.
3-5 days
We define the story with you — angle, access, locations and clearances — and hand over a shooting plan before anyone books a flight.
1 week
Our crew works on location: interviews, ground and aerial footage, verification at source, with material filed as the story develops.
4-7 days
Editing, colour grading, translation and subtitling — delivered broadcast-ready in the formats and languages your outlet needs.
At Euro News Agency, strong reporting starts with strong people. Our journalists, analysts and producers work across borders, languages and formats.
Project Manager
Project Manager
Coordinates ENA's editorial and production projects, from commissioning through to delivery.
Founder & Director
Founder & Director
A journalist since 1998, he has reported from more than 107 countries and leads the editorial direction of Euro News Agency.
Asian Tourism Market Analyst
Asian Tourism Market Analyst
Follows tourism markets across Asia, turning travel and mobility data into editorial analysis.
Technology Industry Analyst
Technology Industry Analyst
Covers the technology industry, tracking the companies and policies that shape the sector.
Digital Media Producer
Digital Media Producer
Produces ENA's digital and documentary output, from field shoots through to final edit.
AI & Prompt Engineering Specialist
AI & Prompt Engineering Specialist
Builds ENA's AI tooling and prompt workflows for editorial and production teams.
Meet the team
Response time: within 24 hours
Newsroom · London
Pick what you need and your email opens ready to write.
Euro News Agency is an international news and documentary agency based in London. We report from the field, produce documentary films, and cover travel and destination stories for newsrooms, broadcasters and institutions.
The agency was founded and is directed by Bourbiza Mohamed, a journalist since 1998 who has reported from more than 107 countries. Editorial projects are coordinated by Maeve O’Brien.
Arabic, English, French and Italian. Material is adapted for each market rather than translated word for word, with subtitling and voice-over handled in house by Yassin El Fahmi.
From London, and on location wherever the story is. Marjan El Moutawakil covers Asian tourism markets and Nguyễn Linh Đan follows the technology industry.
Yes. Breaking coverage is filed the same day, with every claim verified at source before anything is published. Tell us the deadline and we will tell you honestly whether we can meet it.
Yes. Cillian O’Neill leads digital and documentary production — field shoots, interviews and aerial footage through to a colour-graded, broadcast-ready edit.
Send us a short brief. We come back with an approach, a schedule and a clear cost before any work begins.
Yes. We regularly commission correspondents, photographers and camera operators for stories in their own region. Send recent published work rather than a CV alone.
Accuracy first: verifiable sourcing, local knowledge and the judgement to know when a story is not ready. Language skills and field experience count for a great deal.
Yes, and pitches from the region concerned are especially welcome. Explain the story, the access you already have, and why it matters now.
For specific productions, yes. Drone work requires valid licensing and insurance for the country of the shoot. Include a showreel with your application.
On almost every international assignment. Local producers are credited and paid properly — they are colleagues, not a line item.
We run editorial and camera training as part of our consulting work, and take on a small number of early-career journalists each year. Ask about current openings.
Write to us with links to your work, the languages you speak and the region you cover. Every message is read; we reply to those we can take further.
By scope, not by template. Location, duration, crew size, licensing and delivery formats all shape the figure. Send a brief and you get a written quote.
Yes. We hold an archive of field and aerial material from assignments across more than 107 countries. Tell us the subject and territory and we will check availability.
Rights are agreed per commission — territory, duration, media and exclusivity are all set out in writing before production starts. Nothing is assumed.
That depends on the agreement. Commissioned work can be assigned in full or licensed for a defined use; both options are priced differently and stated clearly.
Yes, for outlets and organisations that need regular coverage. A retainer usually works out better than commissioning story by story.
Travel, accommodation, permits and local fixers are quoted separately and itemised, so you can see exactly what each element costs.
Larger productions are staged: a deposit at commission, a payment at the end of filming, the balance on delivery. Terms are confirmed in the contract.
Field reporting, documentary workflows, travel journalism and destination storytelling from Euro News Agency.
Contact
Send the location, deadline, intended platform and deliverables. We will respond with a clear editorial and production approach.
Monday – Saturday
9 AM – 6 PM London time
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